Original illustration interpreting Lystra's archaeological layers

Lystra: a city concealed within a mound.

Zoldura Mound, approximately one kilometre north of the centre of Hatunsaray, is the multi-layered settlement identified with ancient Lystra.

Identity and location

Lystra's importance extends beyond its identity as a Roman colony and its place in early Christian narratives. It also lies in the continuity of settlement from earlier ages into later periods.

Artistic interpretation of Lystra's possible spatial layers
A mound settlement

The hill visible today is the result of a long process of settlement.

Zoldura Mound is a large settlement area extending approximately 740 metres east to west and 650 metres north to south. Its height of about 31.7 metres reflects the accumulation of cultural deposits formed over successive periods.

These dimensions show why it is inadequate to think of Lystra merely as a small sanctuary or a visitor site defined by a single structure. The mound should be considered together with the surrounding areas of low-lying settlement.

What makes Lystra significant

Four historical dimensions.

The city's significance arises from the combination of the military, administrative, religious, and regional roles it assumed in different periods.

01

Strategic geography

Its location between Central Anatolia and routes to the south connected the region with networks of movement and communication throughout history.

02

Roman colony

Known as Colonia Iulia Gemina Felix Lystra, the city was incorporated into Rome's military and administrative system as part of the Augustan policy of colonisation.

03

Early Christianity

The textual tradition associated with Paul, Barnabas, and Timothy made Lystra one of the recognised centres of Christian history.

04

A city of Late Antiquity

Monumental religious architecture and its episcopal identity demonstrate Lystra's regional importance in Late Antiquity.

Text and material culture

Interpreting religious history with care.

The accounts of Lystra in the New Testament explain the city's place in religious history. A historical text is not, however, an archaeological find; the two kinds of evidence may complement one another, but neither can substitute for the other.

Paul and Barnabas

The textual account describes the arrival of two early Christian figures in Lystra and their encounters in the city.

Timothy

In Christian tradition, Lystra is one of the places associated with the background of Timothy, Paul's travelling companion.

Episcopal see

The city's later designation as an episcopal centre demonstrates the continuity of its religious importance.

Lystra on the map

A route from the eastern Mediterranean to Lycaonia.

The first-journey narrative in Acts 13–14 describes an extensive network of movement that reached Lystra through Cyprus, Pamphylia, and Central Anatolia, before returning to the same inland stops.

Original artistic map of the first-journey narrative from the eastern Mediterranean through Cyprus and southern Anatolia to Lystra
Regional view of the first-journey narrativeThe dark red marker identifies Lystra; the pale line indicates the direction of return.
Lystra through its coins

The city's name and symbols in metal.

The Roman provincial coins struck in Lystra's name were more than instruments of payment. Rulers' portraits, the colonial title, agricultural imagery, and goddesses reveal the city's political identity and how it represented itself.

Original artistic rendering of the Lystra coin type from the period when Marcus Aurelius was Caesar, depicting the she-wolf with Romulus and Remus
01 · RPC IV.3 7265

Marcus Aurelius · Caesar Date: c. 147–161 CE

Rome's founding symbol at Lystra.

Copper alloyAvg. 17 mmAvg. 3.54 g
  • Obverse

    The bare head of a short-bearded young Marcus Aurelius faces right. The title “Caesar” indicates that the coin belongs to his status before he became emperor.

  • Reverse

    A she-wolf stands right, turning her head left as she suckles the twins Romulus and Remus beneath her. This image from Rome's foundation story directly connects Lystra's colonial identity with Rome.

Obverse legend
CAESAR AVRELIVS
Reverse legend
COLONIAE LVSTRA
Original artistic rendering of the obverse and reverse of a Lystra coin type from the reign of Augustus
02 · RPC I 3538

Augustus Reign: 27 BCE–14 CE

A ploughing scene expressing colonial identity.

Copper alloyAvg. 26 mmAvg. 10.53 g
  • Obverse

    The laureate head of Augustus faces left, with a cornucopia behind the portrait.

  • Reverse

    A colonist advances left with a plough drawn by two humped oxen. The scene symbolically evokes the foundation of the Roman colony and its relationship with the land.

Obverse legend
IMPE AVGVSTI
Reverse legend
COL IVL FEI GEM LVSTRA
Original artistic rendering of the obverse and reverse of a Lystra coin type from the reign of Titus
03 · RPC II 1606A

Titus Reign: 79–81 CE

The emperor's portrait and Athena.

Copper alloyAvg. 19 mmAvg. 4.43 g
  • Obverse

    The laureate portrait of Titus faces right. The emperor's name and titles appear in the surrounding legend.

  • Reverse

    A bust of Athena faces left, wearing a crested helmet. This type brings Lystra's Roman identity together with the classical image of a protective goddess.

Obverse legend
IMP T CAE AVG [VESP]AS
Reverse legend
COL IVL LVS
Original artistic rendering of the obverse and reverse of a Lystra coin type from the reign of Antoninus Pius
04 · RPC IV.3 7264

Antoninus Pius Reign: 138–161 CE

Grain, abundance, and Ceres/Demeter.

Copper alloyAvg. 28 mmAvg. 11.41 g
  • Obverse

    The laureate, bearded portrait of Antoninus Pius faces right.

  • Reverse

    The veiled Ceres/Demeter sits facing left, holding a poppy and two ears of grain in one hand and a long sceptre in the other. Together with the small altar before her, the composition emphasises agriculture and abundance.

Obverse legend
ANTONINVS AVG PIVS P P TR P COS IIII
Reverse legend
CERERIS COL LVSTRA

Note on the images and measurements

These images are not museum or auction photographs, but new artistic renderings based on descriptions in scholarly catalogues. They do not reproduce a specific excavated object or an individual coin. Diameter and weight figures are type averages from catalogued examples; actual specimens may vary.

The Lystra narrative in art

Paul's presence at Lystra.

In the account related in Acts, Paul and Barnabas's encounters in the city, the healing narrative, and their attempt to prevent a sacrifice are prominent. These scenes have been reinterpreted within different artistic traditions over many centuries.

Original illustration interpreting Paul and Barnabas addressing the crowd at Lystra
An encounter at LystraArtistic interpretation based on the textual account
Full-length artistic depiction of Saint Paul
Full-length interpretationWith a book and a gesture of teaching
Half-length artistic portrait of Saint Paul
Portrait interpretationInspired by the later iconographic tradition

Note on artistic representation

The depictions of Paul in this section are new drawings inspired by the iconographic traditions of later centuries. They are neither portraits surviving from Paul's lifetime nor archaeological objects found at Lystra.

Note on image use

Landscape images suggesting the possible appearance of Zoldura Mound and Lystra are artistic interpretations created to evoke the site's atmosphere; they should not be regarded as definitive architectural reconstructions or documentary evidence. The Kilistra drawings appear only in the separate section explaining the distinction between the two places.

Illustration of the cultural landscape of Hatunsaray and Lystra
Two places often confused

Lystra is not Kilistra.

Lystra is Zoldura Mound near Hatunsaray. Kilistra is a different settlement around Gökyurt, with another location and a distinct historical character. Although the similarity of their names sometimes causes confusion, their geographical and archaeological identities are separate.

Read the visitor information

Hatunsaray · Lystra.